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August 27, 2008

Restaurant Road Test: Delicatessen
Lissy Trullie on Cheeseburger Spring Rolls and Crimes of Fashion

At Cafeteria owners new Soho restaurant Delicatessen, Lissy Trullie’s drummer Josh Elrod waits for the rest of the band to arrive. He’s predicted their timing to a tee: "Eben will get here first. He’s always early. Next will be Harley, then Lissy. It’s always that way.” True to form, Lissy’s guitar player, Eben D’Amico walking down Prince Street in his trademark plaid shirt, suspenders, and snappy hat. They order drinks and wait for the girls to show up.

The band got together only a few months ago with the auspicious blessings of Off-Bowery’s A-Ron, but things are moving fast: “We should all just move in together!” jokes Josh. Lissy Trullie recently played great shows at Bowery Ballroom and Santos, and there are rumors afoot of L.A. bookings and a tour with The Virgins The Virgins. Lead by DJ/model Lissy lead-singing upbeat, addictive tunes with sometimes-somber lyrics, Harley Viera-Newton, London creeper enthusiast and DJ, completes the ensemble on bass. “We met on the street.” Lissy says of meeting Harley. “We were like, ‘Where’d you get your shoes? I love your top!’ and now we’re BFFs.”

Eben has a cold and expedites a vodka martini, dry, with a twist: “A Russian cabbie was telling me about the restorative powers of vodka. He said it will cure anything. Except you have to drink it at room temperature.”

Harley arrives fresh off a just-for-fun stint of bartending at Lit. She’s been learning to make mixed drinks from improbable combos of ingredients, such as “the chocolate cake shot, which was disgusting, and the peanut butter and jelly shot, which was worse.” The shot connoisseur was just named the official DJ of Dior, and there’s talk of a makeup line. Courtesy of the Dior arrangement, Harley says she has “like 400 kinds of makeup in the bathroom at home. I’m not even sure what to do with them.”

All really hungry by this point, we order appetizers. Josh is keen on the reuben fritters, plus the halibut tacos, fritto misto, and the cheeseburger spring rolls, recommended by the waiter. “All I’ve had for lunch is a peanut butter and jelly shot!” exclaims Harley. The appetizers make their appearance just before Lissy, who arrives wearing a white v-neck, a cardigan, denim cutoffs and her favorite Chanel hat. At Eben’s urging, Lissy orders a dirty vodka martini, which takes forever to arrive. She is selective with the appetizers because she’s allergic to everything. Josh seconds that: “We’re a very allergic band,” he says, after just had allergy testing. “I have gigantic, gigantic bubbles on my back,” he confesses.

Despite their various ailments, they eat. Josh loves his reuben fritters, but Eben is scandalized when the halibut tacos are served cold: “I’ve never eaten a cold taco in my life, and I’m not going to start now.” Lissy and Harley are deep in discussion over the cheeseburger spring rolls, which Lissy has braved her milk allergies to try: “It tastes like something your mom would make when she’s going out,” Lissy muses, “Just put ‘em in the microwave!” with Josh finalizing, “They were a little white trash.”

Eben scopes out the bathroom, reporting that it’s “plastered with UNIQLO ads.” Lissy and Josh have worked with Terry Richardson as models, but remain unimpressed by the facilities: “Retarded,” Lissy says succinctly. Josh is more concerned about a “design flaw” in the placement of the toilet paper, which is stacked vertically toilet-side. “It’s unsanitary. People are gonna sprinkle all over that,” he shudders.

The kids are similarly underwhelmed by the staff’s Charlotte Ronson frumpy apron-type uniforms, worn over jeans and a fresh whitey. “She did a great job designing those V-neck t-shirts” Lissy sasses, who at this point, could be considered something of a fashion authority. She was listed as one of Paper’s “Beautiful People” and recently featured in an Elle fashion spread. Aside from that, she always dresses the part. “I work in fashion, so I get a lot of free stuff. A lot of the clothes I wear come from jobs,” she explains.

Around the time our entrees arrive, the glass garage-door outer walls of Delicatessen come down and the music pumps up, beginning with some alarming techno– or, as the band put it “bad Eurotrash.” This is the nail in the coffin for Delicatessen, which was already plagued with chromed-up steez and a mediocre menu.

The band remains good-natured and when confronted with an ominous-looking fish and chips, Harley is a good sport, claiming that she’s full from the appetizers. The “fish” in question is a large fried monkfish, “an unorthodox choice for fish and chips,” according to Eben, the band’s connoisseur, who grew up doing tastings at his father’s bevy of restaurants. But when Josh gets a whiff of the monkfish, the truth comes out: “The breading is mushy!” to which Harley concedes, “I’ve had a lot of fish and chips in my day, and this is not one of the best.” Eben adds,“Like everything else here, half-baked!” as he was not feeling the Cantonese style Atlantic salmon.

The fried chicken in a bucket with jalapeno corn bread gets a thumbs up by the band, who agree that Delicatessen does best when keeping things simple. “They’d do well to stick to drinks and traditional bar food. When they try to get creative, they fall flat on their faces,” Eben elaborates.

When dessert comes, we are in for a surprise, but not in a good way. Harley’s S’mores, feature deep-fried marshmallows. “They ruined S’mores!” she laments. However, the black and white cookie sundae, is actually a hit with the band. Lissy also OK’s her home-made lemon sorbet.

The band launches into talks about plans for their new blog, which is to be “lo-fi and ghetto” and pass around a tally sheet where they rank Delicatessen’s food, service, and ambience on a scale from 1 to 10. The scores were 5, 6, and 2…“uh-oh!”

As she finishes Eben’s drink, the gentle-natured Harley delivers the bottom line with brutal precision: “If a date brought me here I’d be totally bummed. He would not get laid.”

~ Christine Whitney

August 20, 2008

Record Road-Test: Fucked Up’s Favorite Punk Vinyls
Damian Abraham Reveals His Addiction to Rarities

Damian Abraham is possibly the most instantly recognizable figure in hardcore punk music today. The image of Damian’s full frame, drenched in sweat, blood, saliva, beer and (more than likely) even more blood, has a tendency to remain seared upon the retinas and subconscious of the musically aware and casual observer alike.

Through his role as mouthpiece for Fucked Up’s wholly idiosyncratic and uncompromising synergy of traditional hardcore anger, speed and force, Damian has become the focal point of a band that has always been much more than just a band.

Fucked Up are a movement– a band to believe in that have always threatened to convert listeners from every margin that recognize in their music, ethical outlook, and modus operandi are something beyond carbon copy reproduction of the current scene. The band recently signed to indie label Matador in a worldwide deal that makes this threat an ever-growing reality.

As far as they stray from the confines of perceived notions of punk “normality,” the band’s stringent adherence to the 7” record is perhaps their only concession to hardcore conventionality.

It is no surprise then to discover that the whole band are vinyl obsessive. Abraham, aka, “Pink Eyes” is the group’s self-confessed crowned record nerd. PsychoPEDIA caught up with Damian to source his rarest little circles of wax and find out which of these precious commodities he would sell his left leg for:

How old were you when you bought your first record? I would have been would have been three or four. It was the Madness "Our House" 7". I fell in love with that song because it was on the radio and TV back then. I can’t remember the exact store I got it in, but I guess I would have bought it somewhere with my dad.

How old were you when you realized that you were a “record collector,” as opposed to someone who just bought and listened to records?
I would have been about 17. I was a late bloomer. I didn't get ‘real’ about it until I was 19 though. That was when I started trading and digging. I can remember going to a friends house, and he was flipping a bunch of punk singles to focus more on reggae and jazz. I bought a ton of stuff off him and just thought to myself: "Well this is my life now."

Can you remember what the first punk record you ever bought?
I think it would have been a Swingin' Utters “Nothing To Rely On” 7".

What came first for you: punk obsession or record obsession?
Punk was first. I bought records about a year or two after, but it was more for ‘the music’ then. I swiftly became pretty obsessed though. The two go hand in hand. I think it’s because punk, by its very nature, is outsider music that appeals to marginal personalities. These types of personalities often tend to be hoarders. If it wasn't punk I'm sure I would be collecting Star Wars toys or something else nerdy. I mean, as well as records I collect old ‘zones, tapes, fliers, the odd t-shirt. Basically: anything punk related.

What is your favorite ‘punk record?
h100 – ‘Dismantle’ 7"

What’s the rarest record you own?
I have a DRI test press of the ‘Violent Pacification’ 7" that has the wrong band on the b-side and the Integrity acetate. Or the acetatesof the first Teenage Head 7" and LP. All that stuff is pretty hard to get hold of.

What have been your biggest bargain finds?
My wife gave me a copy of The Subhumans ‘Death To The Sickoids’ 7". I’d wanted that forever, but I didn't really find that, so maybe we can’t count it. I once found a copy of the Action 12" with the sleeve as they were putting it in the windowdisplay of a store and bought it for a quarter. It was a bit of a mythical record to me, and to find it like that made my day. I have been lucky enough to have been given some amazing records by friends over the years, but I couldn't count those as bargains. I would say the Project X single for a few bucks or the Integrity 10" on pink with the alt sleeve for $10 are my biggest scoops.

On the flipside, have you ever had to sell chunks of your collection in hard times?
I have sold stuff, but always to buy other stuff. I guess it is more like reinvesting.

Which single record do you own the most variants of?
I want to one day have all the various version of the Confront 7". I'm one away now, and I have six already on the h100 7". I'm a huge loser.

No you aren’t. You’re my hero. Which single record that you do not own do you wish that you did?
The Fix ‘Vengeance’ 7" It is such a mythical record, but apart from that, most of the stuff that I want now is just cool records I didn't know about. Not so much heavy hitters. I long for the purity of obscurity.

As someone who still digs in crates, what are your feelings towards eBay as a forum for record exchange and collecting?
I don't use it anymore, but that is only because I enjoyed it too much at one point. I think it has leveled the playing field and forced collectors to step up their game up.

Finally, do you have a favorite ‘non-punk’ record?
“Phantom Of The Paradise” Soundtrack .

~James Knight


To search from some of Damian's favorites, check out these record shops:
Rough Trade East, 91 Brick Lane, London
Princeton Record Exchange, 20 South Tulane St, Princeton NJ
Singles Going Steady, 2219 2nd Ave Suite C, Seattle WA
Sonic Machine, 143 rue St-Maur, Paris
Core Tex Records, Oranienstrasse 3, Berlin
Bleecker Bob's, 118 West 3rd St, New York

August 06, 2008

Road-Test: Kenzo Minami’s Favorite Sports Equipment
The Artist on Crazy Horses & Exoskeletal Structures

The Sports Business Journal claims that the sports field is one of the fastest-growing industries in the United States. Billions are spent each year on everything and anything athletic; from high-profile endorsements to the basic running shoes you buy at your local store. It is therefore easy to conclude that more than a few people are interested in this “sports caper” -- including the unlikely figure of Japanese-American artist Kenzo Minami.

Known for his minimalist and highly intricate art, as well as high-end product design work for sportswear heavyweights including Nike and Reebok, Minami has a lesser-known love of sports and the associated paraphernalia and philosophy. Psychopedia probed and prodded Minami into admitting his favorite sports equipment whilst learning of his dangerous past as a sword-fighting horse rider:

Did you play a lot of sports when you were younger? When I was really young, I did Kendo, which is basically Japanese sword fighting. Then when I went to high school I joined the Equestrian Team. I don't think I would ever want to get back into it again, since I had seen some scary things when I was on the team. I remember someone died together with her horse right before I joined the team -- they both fell into the river and broke their necks. I only discovered that, however, after I had joined.

Jeez, did you partake in any other less dangerous sports?
I was a good runner, since you get that sort of muscle genetically (or so I hear) and my father used to be a really good long distance runner. I held a record in Junior High for long distance at some point. But these all were when I was a kid, and I now barely walk -- I just hail a cab instead. I did take some Capoeira classes around ‘99, but the class was held on Saturday mornings and I was never in the shape to stand on my head (I could barely stand on my feet because of Friday nights), and had to stop after quite a short period of time.

Do you play sports now?
No, sadly. Though I do dance a lot.

Have you ever designed sports gear?
Yes actually, I have done 2 shows with Nike -- one was a mural painting for their then-new space, and the other was a painting for a show. I also designed a Reebok Pump Fury I trainer as well as the ad for Reebok’s ["I Am What I Am" Campaign].

Weren’t you in the ad?
Um yes.

Your work is very graphic and mathematical. What do you think is in your style that could be applied to sportswear, or can represent sports culture?
I can be pretty flexible with my design even though I had been intentionally releasing particular styles to fit into certain realms of images at some period of my career. Since I finally feel that I can do whatever I want (and feel confident enough to do whatever I want), I would like to design more stuff that does not necessarily look like I have done them (and I have been doing that for some time now). So I would like to tackle it again in a way that designs make sense to this unique culture.

How do you see sports design in its current state?
I think it is now divided into two complete extreme divisions. One is the design based on human physical ergonomics - "Sports Design" in the true sense, I suppose. The other is largely (or almost entirely) based on aesthetic - more for its emotional value. Though I do not think one is "truer" than the other, or more "right" than the other.

What’s your favorite piece/items of sporting equipment?
Cricket gear. I just love the design of them, and nobody seems to be paying enough attention to this particular sport, at least in the United States.

Are there any items of sporting equipment you would like to re-design?
Any sports with protective gear, I would like to redesign - I am interested in the basic idea of protective gear or any exoskeletal structure in general.

What sporting equipment do you feel is non-improvable?
Some of the martial arts seem to be extremely refined due to thousands of years of fine tuning, so it would seem to be the most impossible to make them better, or at least to my untrained eyes. Though I am sure that they are constantly being improved and evolving.

~ Ilirjana Alushaj

July 31, 2008

Soho’s Hot Spots
Singer Diego Garcia Just Wants Some Peace & Quiet

Just the fact that you’re a “rock-star-in-residence” at the Bowery Hotel means that you’re at the top 0.01% of cool. Currently inhabiting this position is singer Diego Rivera. Born in Detroit (to parents from Argentina), educated at Brown, and living in New York almost a decade now, the singer, heretofore part of a band named Elfant, is branching out to release his first solo album.

Below you’ll find more on that, and on how his Bowery Hotel residency helped him extract his creative juices. We also got dirt on his favorite spots in his home-neighborhood of Soho:

Tell me about the residency…
It was beautiful. Every Monday around 7pm we did a kind of live rehearsal out on the second-floor terrace at the Bowery Hotel – you could hear it on the street too. The idea was to create an atmosphere to have a good time and get some dirt on the demos. We got some great feedback. We’re talking about doing a few more in September.

Really? So when’s the album going out?
Well, my priority right now is to get into the studio and hit record – I’m developing my first solo record. Should be out by end of the year.

Tell me more about the album…
I worked on it for two and a half years, and have done about 20-25 demos. The final piece was putting a live show together – taking the songs and bringing them to life. I’m toying with the title “Warm Winter Day.” It’s about the maladies of love, and all the questions a boy turning into manhood faces.

What are your favorite places to hang out in your area, to get inspiration?
The outdoor garden at the Bowery Hotel is one of my favorite spots in New York – because it’s quiet – the quality that most turns me on with the Chateau Marmont in LA as well. There’s no music in the lobby – you can hear people talking. Generally, I’m a total loafer dedicating my life to music and loafing. I love relaxing at Café Gitane – where else can you have a coffee outside, and look at a wall and graveyard across the street? I’m part of the gang there – I go there and it’s family – I’m guaranteed to run into a friend. I also love Balthazar around 3pm after the tourist lunch crowd thins out – it’s nice and relaxed then . Have you ever had the Eggs Benedict there? It’s the best in the world. Oh, and want to know a secret for one of the best things to do in New York in the summer? Go to P.J. Clarke’s in Battery Park around 8.30-9pm, again when the tourists leave – then go to the big movie theater at Battery Park after. Another good evening plan is to have dinner at Bar Pitti – but don’t order dessert there. Head to Blue Ribbon Bakery and get the bread pudding. It’s the best dessert in the city.

Any stores you like?
McNally Robinson – the bookstore on Prince St. I love going there and having a tea and reading whatever – again, since it’s quiet. Hey, I think there’s a quiet theme here… now I feel like I’m talking to a therapist!

You do seem to like quiet. Let’s explore that…
In New York, you have to look for refuge from the insanity. My day is about avoiding an “avenue.” The only major street I deal with is Broome – it’s the only one where I have to look both ways before I cross.

When you have to look good for either an outing or an album cover – what are your health and beauty regimens?
Neutrogena SPF 15 moisturizer every morning and every night before bed. When I’m about to shoot a video or album cover, I cut back on alcohol, and NO sugary soda. And I stop eating French fries. That part’s not easy – I love French fries.

~ Stephen Milioti

Go There: McNally-Robinson Bookstore, 52 Prince St., 212.274.1160 Bar Pitti, 268 Sixth Ave., 212.982.3300 Blue Ribbon Bakery, 35 Downing St., 212.337.0404 P. J. Clarke’s downtown, 4 World Financial Center, 212.285.1500 Balthazar, 80 Spring St., 212.925.1414 Bowery Hotel, 335 Bowery, 212.505.9100